Hyun
Color Bind
Due
Nov/30/2012
1. Ad
Reinhardt: Untitled, circa 1965, Silk print on Plexiglas
2. Felix
Gonzalez-Torres: Untitled (The End), 1990, offset prints on paper
3. Eva
Schlegel: Untitled (detail), 1989/99, Silk screen on lead and graphite on
plaster, mounted on wood
As soon as I
entered the exhibition space, Ad Reinhardt’s minimal work caught my attention.
The
appearance of the work is simple. Black Plexiglas with mat around it and
off-white, cream-colored frame. The size of the black Plexiglas is about a
letter sized paper which is 9x11” and it is surrounded with an off-white mat.
The Plexiglas is centered but slightly close to the top part. Top part of the
mat is a little bit shorter than the bottom part, and left and right side of
the mat is a same size. At a glance, it looks like a black painting or black
paper from afar. However, when you come close to the piece, you get to see the
detail of the surface of the subject matter and find out it’s not either
painting or paper. The material is something reflective and shiny. It is a
silkscreen printed on a Plexiglas. So it has a surface that reflects a light
source (in this case, the lights in the exhibition space), which shows lines on
the surface of a Plexiglas. That’s the detail one can pass by if you don’t pay
attention close enough. However, it is something that changes many things you
might be thinking of about the piece before you notice this. A lot of times,
meaning means a lot more than its appearance. What you see is not everything
and you shouldn’t get confused just by looking at its appearance. You never
know what you see truly unless you don’t know the meaning and the inside of the
thing you see. Inside is what matters more than outside. Just by looking at an
empty black piece (especially when the title is untitled like this piece) without any statement of intention, the
interpretation is up to each individual. When I come across any solid black
surface of something as an art piece, it is easy to relate them with universe
or everything/nothing just because it is only black but this piece makes me
think a lot about distance, relationship, changes and time. They are all
compressed in a simple form expressing deeper meaning through its ability to
attract viewers to come close to the piece itself and surprise them. In this piece, color except the colors in
this piece don’t really matter and that’s why the artist used only limited
color.
The next
piece I chose is the stack of papers in the second room by Felix
Gonzalez-Torres. One of my all time favorite artists! I was so excited about
his piece because I love the fact that I can take a sheet of his piece (again!)
and also that I can collect his piece whenever I see his piece around the
world. I like the fact that I can own his piece and participate. Anyways, so I
entered the second room and saw the stacks of papers that had white with black
frame around the edge. It was white and blank except the frame. It is blank
paper with black frame on a paper. So the stack was sitting right on the floor
as always and you can take a sheet of it. The gray smooth floor goes along with
the piece in terms of color and as a background of the sculpture/prints. Since
it is blank and because of its size (which is not too small or too big), I
immediately thought I can pin this piece on the wall in my place. The sheet is
about 22x28”. I thought maybe I could write something in the white area. But I
changed my mind because I don’t want to ruin the piece itself, how it looked
like at first. But this is what I am trying to say. Because of its format,
composition, limited use of color and the fact that you can take a sheet of it,
you can create your own world in the piece. You can put something in the white
space and that means you are putting your idea on his piece which means his
piece actually inspired you to think of whatever you thought of/planned to put
in the white space. Since there’s a frame, you immediately think of something.
You might be thinking of some images or ideas. The frame and the blank make you
want to fill the space with something. The appearance is same at first to
everyone before they see it and take it in their hands. But in the end after
all, every sheet of blank paper has different meaning to each individual. It
makes me think of people, thoughts, understanding, interaction, and the fact
how many people there are in the world and how different each individual is but
at the same time, how same all the people are. OH! And the title of this piece
is Untitled (The End) which makes
sense somehow with the appearance of the stack because people take it and there
must be an end in everything and what the sheets contain visually: the blank.
The last
piece I chose is a little different visually in terms of subject matter than
the two pieces I chose above. This piece actually has an image that you can
say- “Oh! It’s a negative picture of a girl!” It is hung on the white wall and
it is pretty big. Not too big but somewhere around forty something inches by
sixty something inches vertically. It is a silkscreen print (black) on lead and
graphite on plaster that’s mounted on wood. From a side view, you can see the
different layers. On the lead surface, you see a girl sitting on some structure
made of wood bars(?). It has two long woods horizontally and one vertical wood
on the left end of the horizontal woods. It seems like a swing at a glance but
it actually looks like a swing structure made of woods without chains and
seats. A girl is sitting on a wood and holding another wood with her arms
stretched to top. The space looks like a garden or backyard of a house. There’s
a tree next to the structure. It seems like she is smiling. Beside the
photography, the surface of the screen print was interesting because you can
actually see black little dots that make the image. It feels like you are
looking at a photo on a newspaper even though I’m not sure if images on
newspaper are consisting of dots. (Newspapers must be using offset printing…)
It has nothing so much showing about the photography but I assume the materials
that are used (plaster, lead and wood) are the materials that are in the
photograph itself. Wood bar structure, plaster and lead somewhere in that space
in the photography. I guess the use and choice of material tell a lot of its
negative photo that we actually try to interact with at first on the surface.
I didn’t
intend this but after choosing those works, I realized they all are titled Untitled. It was funny and they also all
are printed images. Silkscreen, Offset, and then Silkscreen again. The show was
interesting to see because it had many different kinds of art works that were
all under the same theme of black and white the color itself, they connected to
each other somehow at least in a color wise, they were under the same category,
and the idea of using only black or white, or just black and white feels the
intention of artists’ very particular and specific.